荣耀六十年

  • Anna Neagle Anton Walbrook C. Aubrey Smith Walter
  • 120分钟
  • Sixty Glorious Years is an exercise in the creatio…Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.  The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).  The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.  The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.  Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.  Roger Philip Mellor

荣耀六十年分集剧情

荣耀六十年第24集剧情查看详细

  唐既白来到了魏检查官休息的地方,魏检查官退休后经常到地下室独自打台球。唐既白的到来没有让魏检查官惊讶,魏检查官意识到自己东窗事发了,底细全部被唐既白查清了。  唐既白打量地下室的墙壁,墙上挂着魏检…

荣耀六十年第23集剧情查看详细

  唐既白约马天竞见面,马天竞急着办事,起身准备离去。唐既白指出马天竞曾经是红蔷薇案件的代理律师,马天竞见唐既白查到了一些线索,心里开始发虚了。唐既白播放了马天竞与杀人凶手谈话的录音,马天竞面色立时一…

荣耀六十年第22集剧情查看详细

  周行坐在宽屏电脑面前,追踪赵征的下落,赵征与唐既白父母死亡有关,唐既白也在寻找赵征的下落。  唐既白张贴了跟黑蔷薇有关的人的相片,其中包括坐牢段晨明。周行坐在电脑前,慢慢发现了赵征的行踪,电脑屏幕…

角色剧照

同主演

  • 更新至01集
  • 更新至17集
  • HD
  • HD
  • HD
  • HD
  • HD
  • HD

荣耀六十年评论

  • 评论加载中...